Archives 2025

On Saturday, December 20, 2025, Welcome To The Family Presents delivered a powerful and memorable night of heavy music at Swanson’s Warehouse in Greenville, South Carolina. The event was promoted by Dylan and his company Welcome To The Family, who have been booking shows throughout the Carolinas for more than three years. His consistency and commitment to the heavy music scene were evident in both the lineup and the overall flow of the night, creating an event that felt intentional rather than thrown together.

Welcome To The Family
https://welcometothefamily.net/

The evening was especially meaningful on a personal level, as I attended the show with my 12-year-old son, Max, who had an absolute blast. I also met up with my friend Steve Morse at the concert, founder of Christian Metal Group, which made the night feel like both a show and a reunion. Before the music even started, I had the opportunity to talk with several familiar faces, including members of Cleansing of the Temple and With Blood Comes Cleansing, as well as Trevor Tyson from Heal the Heart and James, formerly of No Treaty. Many of these are people I have previously interviewed on the Christian Metal Group podcast, so finally meeting them in person added another layer of connection to the night.

Christian Metal Group
https://www.christianmetalgroup.com/

Alpha Strain opened the night, marking the first time I had heard the band live. Featuring a three-guitarist lineup, their sound was thick and aggressive, translating well in the room. During their set, the band mentioned that this would be their last show in South Carolina before disbanding. While their performance was straightforward, it served its purpose in warming up the crowd and setting the tone for the night.

Alpha Strain
https://open.spotify.com/artist/0Ev8lW94aQrJFz7BKk9j0N

Return to Glory stepped things up musically and brought a noticeable shift in momentum. Also featuring three guitarists and made up of members 18 and under, the band delivered an impressive and confident performance that exceeded expectations. What stood out just as much as their musicianship was their humility. The band members were in the pit before and after their set, supporting the other bands, which spoke volumes about their character and understanding of community. The pit itself was relentless all night. A death metal and slam-influenced pit simply hits harder, and the energy never really let up.

Return to Glory
https://www.instagram.com/returntogloryband/

Cleansing of the Temple followed and proved once again why they stand out in the DIY deathcore scene. With two guitarists driving their sound, the band delivered a face-melting set that was as heavy as anything happening in the genre today. Offstage, they are some of the nicest guys you will meet, but once they step on stage, they completely transform. I am genuinely excited to see where their talent and persistence within the DIY environment take them. I had purchased one of their shirts at the last show, and at this show I picked up another one so my son could wear it proudly.

Cleansing of the Temple
https://www.cleansingofthetemple.com/

When With Blood Comes Cleansing took the stage, their experience immediately showed. Anchored by a single guitarist, the band delivered a crushing and precise set that reminded everyone why their name still carries weight. Every transition, breakdown, and movement reflected years of musicianship. I picked up a shirt and their new CD, which is brilliant. Every song on the release focuses on a martyr from the Bible, giving the album both theological weight and artistic focus while remaining unapologetically heavy.

With Blood Comes Cleansing
https://www.withbloodcomescleansing.com/

For most of the night, I found myself standing on the edge of a wild pit, nearly getting slammed a few times. At one point, a guy bumped into me, immediately apologized, and then gave me a hug. Throughout the evening, I witnessed people being helped up and others stopping to make sure everyone was okay. This is the side of the metal community that those outside the scene often do not understand. Beneath the aggression is a culture of respect, kindness, and unity. Seeing people of different ages, hair colors, and skin tones gathered together to enjoy the music they love was a powerful reminder of what brings this community together.

This show was not just heavy. It was human. It was community. And it was exactly why nights like this still matter.

Christian thrash metal started with Deliverance, Vengeance Rising, Believer, Living Sacrifice, Tourniquet, Sacrament, Seventh Angel, Mortification, Detritus, The Crucified, and others who proved that faith and ferocity could exist without compromise. These bands established thrash as a powerful vehicle for truth, conviction, and ministry.

For a time, it seemed as though Christian thrash might remain tied to that original era. Instead, God raised up a new generation. Since 2015, Christian thrash and speed metal have experienced a renewed surge, with new bands stepping into the sound with purpose and clarity. These artists are not reviving a trend. They are continuing a calling, using speed, aggression, and precision to proclaim faith in a modern world.

This movement survives because of community. Independent Christian metal bands operate on tight budgets. Touring is expensive. Recording is expensive. Merch production is expensive. Most bands make very little personal income and reinvest nearly everything back into the band and the ministry. Supporting these artists by attending shows, buying shirts, and purchasing CDs or vinyl is how the scene stays healthy and alive.

Jeremy Sims, guitarist for the deathcore band With Blood Comes Cleansing, explained it plainly:

“God has blessed us when we come back with enough money to kind of, we just roll everything directly back in the band. Every now and then we make a little bit of money ourselves. We may come home from a weekend with a hundred bucks or so. But for the most part, it’s like, buy new t-shirt designs, buy new gear for us, whatever we need. We put the money back into the ministry because that’s what this is for us. If we can get that first and make it bigger, then that’s what we want.”

That same mindset defines the modern Christian thrash scene.

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Hand of Fire (USA, formed 2015)

Hand of Fire emerged in California in 2015 and helped ignite the modern Christian thrash resurgence. Their sound draws from classic Bay Area thrash with tight riffing, aggressive vocals, and spiritually grounded lyrics. Their album Nuclear Sunrise stands as one of the earliest post-2015 statements that Christian thrash was far from finished.

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Brotality (USA, formed 2016)

Formed in 2016, Brotality represents a younger generation carrying thrash forward. Their music blends thrash foundations into groove and progressive elements while keeping their faith front and center. Albums like Worldwide Desolation and The Woods Will End You showcase a band that is technically sharp and spiritually intentional.

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Crushing the Deceiver (USA, formed 2016)

Crushing the Deceiver formed in late 2016 in California and delivers a heavier take on thrash with death metal intensity. Their self-titled release is rooted in fast tempos, sharp riffs, and lyrics focused on spiritual warfare and redemption. They remain one of the most aggressive voices in the modern Christian thrash movement.

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R.A.I.D. (India, formed 2016)

R.A.I.D. formed in June 2016 and brings a crossover thrash sound mixed with hardcore urgency. Based in India, the band represents the expanding global reach of Christian metal. Their music confronts social issues, personal struggle, and faith with conviction, proving that Christian thrash is not limited by geography.

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Ritual Servant (USA, formed 2016)

Ritual Servant formed in South Carolina in 2016 and stands as one of the clearest examples of pure Christian thrash today. Their lyrics often draw directly from Scripture, and their sound reflects classic thrash traditions. Albums like Metallum Evangelii and Albus Mendacium serve as bold declarations of faith through metal.

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Motivik (USA, formed 2019)

Motivik formed in 2019 and brings a melodic thrash and groove-infused sound to the scene. Their albums Death of the Gunman and Renouncement combine modern production with biblical themes, offering a thoughtful and accessible take on Christian thrash metal.

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No More Death (Brazil, formed 2019)

No More Death formed in 2019 following the conclusion of the Brazilian band Mad Dragzter, which ended in 2015 after releasing Master of Space and Time. Drawing from years of saved riffs and ideas, the project took shape with a name inspired by Revelation 21:4.

Their debut album The Death Is Dead, released in 2024, delivers classic thrash aggression rooted in Brazil’s long thrash tradition, paired with lyrics centered on Christ’s victory over death, His triumph, and His glory. No More Death stands firmly within the modern Christian thrash movement.

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Reborn United (South Africa, formed 2020)

Reborn United formed in 2020 and represents the South African Christian thrash and death-thrash movement. Their sound carries urgency and aggression while remaining rooted in faith. They contribute an important international voice to the modern Christian thrash resurgence.

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Shovelhead A.D. (USA, formed 2020)

Shovelhead A.D. formed in 2020 and represents the newest wave of Christian thrash metal. Their EP No Cover Charge delivers fast riffs, gritty vocals, and a no-frills approach to ministry through metal. Their emergence reflects the continued underground strength of the genre.

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Keeping the Scene Alive

Christian thrash and speed metal remain alive because God continues to call musicians into this space and because fans continue to support them. Streaming helps, but real support happens at shows and merch tables. Buying a shirt, a CD, or a vinyl record helps bands afford gas, food, recording time, and future tours.

This new wave proves the genre is not fading. It is growing. Supporting these bands is not just about music. It is about sustaining a ministry that speaks truth through heavy music and ensuring Christian thrash continues for the next generation.

Mr. Weaverface is the solo alternative rock project of Brandon Weaver, a Pennsylvania-based Christian artist whose music is rooted in testimony, spiritual warfare, and worshipful devotion to Jesus Christ. Rather than operating as a traditional band, Mr. Weaverface functions as an artist-led ministry project, with Weaver serving as the primary songwriter, vocalist, and creative force while collaborating with other musicians for recording and live performance.

The name Mr. Weaverface comes from a nickname given to Weaver by a teammate on his bowling league. What began as a casual and humorous label eventually became the identity of a project that now represents one of the most direct and uncompromising voices in modern Christian rock. The unusual name immediately sets the project apart while underscoring its deeply personal origins.

Weaver’s faith journey is foundational to the music. Although he grew up in the church and professed faith at a young age, his adult life was marked by serious struggles, including anxiety, panic attacks, addiction, and depression. A crisis moment on Christmas Day in 2018 became a turning point that Weaver has described as a spiritual battle leading to repentance, deliverance, and a renewed commitment to Christ. That experience did not simply influence the lyrics. It became the spiritual framework for the entire Mr. Weaverface project.

Musically, Mr. Weaverface operates within the alternative rock and post-grunge space, drawing from the melodic intensity and guitar-driven approach associated with late 1990s and early 2000s rock. Influences such as Foo Fighters, U2, Smashing Pumpkins, Our Lady Peace, Radiohead, and Stone Temple Pilots can be heard in the arrangements. What clearly separates Mr. Weaverface from many artists in the genre is the lyrical direction. The songs are worshipful, explicit in faith, and centered on Jesus Christ without compromise.

The project’s first major body of work was the Jesus Is Alive EP. This release established the foundation for everything that followed, focusing squarely on salvation, victory in Christ, and spiritual authority. The title track, “Jesus Is Alive,” quickly became a defining song for the project. One of its most impactful lines, “It took me half a lifetime / To finally grab the lifeline / And now I’m never letting go,” captures the heart of Weaver’s testimony and the surrender that defines the project as a whole. The song functions as both proclamation and praise, setting a clear spiritual tone from the beginning.

Following Jesus Is Alive, Weaver released the These Lungs EP, which deepened the personal and worshipful direction of the project. The song “These Lungs” was written in response to surviving a severe illness and stands as a declaration of gratitude, acknowledging breath and life as gifts from God. Rather than centering on suffering itself, the song redirects attention to God’s sustaining power and mercy, reinforcing the project’s focus on worship through lived experience.

As the project continued to develop beyond the EP releases, standalone singles expanded both the emotional and theological scope. “O God, Help Me” stands out as one of the most transparent moments in the catalog, presented as a direct prayer that admits weakness while clinging to God’s faithfulness. “Above All Names” followed as a bold declaration of the supremacy of Jesus, emphasizing His authority and sovereignty without lyrical ambiguity. The song resonated strongly within Christian rock circles and further solidified Mr. Weaverface’s identity as worship-driven rock rather than faith-adjacent alternative music.

Across all releases, the defining trait of Mr. Weaverface remains consistency of message. The songs do not dilute doctrine for accessibility. Instead, they present worship, repentance, and dependence on Christ through the language of modern rock. That approach has resonated deeply with listeners seeking Christian rock that prioritizes lyrical substance as much as musical quality.

For many fans, Mr. Weaverface represents the best example of Christian rock today, particularly for those drawn to worshipful lyrics delivered with conviction and without compromise. The project does not attempt to blur lines or soften its message. It embraces clarity, reverence, and praise, using alternative rock as a vehicle to glorify Jesus Christ.

Mr. Weaverface is not merely a stage name or creative concept. It is the ongoing testimony of Brandon Weaver, using rock music to proclaim that redemption is real, spiritual warfare is present, and true hope and identity are found in Christ alone.

For more information, music, and updates, visit
https://mrweaverface.com/

xx Records • October 31, 2025

Germán Pascual makes a bold and long-awaited return with Beyond Our Comprehension, his first solo album since A New Beginning in 2012. Born in Uruguay, raised in Brazil, and rooted in Sweden from his teen years, Germán has always carried one of the most commanding and recognizable voices in Christian metal. His vocal work on Narnia’s Course of a Generation introduced him to a global audience, and his debut solo record reinforced that he could stand confidently on his own. Thirteen years later, he delivers a release marked by maturity, depth, and strong spiritual conviction.

The album was shaped over an unusually long creative period, recorded across studios in Sweden and Finland, and anchored by producer and multi-instrumentalist Jani Stefanovic (Divinefire, The Waymaker, Mehida). His production gives the album cohesion and atmosphere while allowing every instrument space to breathe. Additional contributions from Christian Liljegren (Narnia, Audiovision), Patrik Gardberg (Solution .45), Tom Gardiner (Essence of Sorrow, Horde of Hel), and lyric and melodic support from Alejandra Pascual help elevate the record without ever overshadowing its central focus. Musically, the album blends melodic power metal with progressive touches, offering sharp riffs, tight arrangements, and a cinematic feel throughout. Germán’s vocal performance remains the driving force. His ability to shift from warm lower tones to soaring highs with clarity and power continues to place him among the genre’s strongest voices, earning ongoing comparisons to Russell Allen, Geoff Tate, and Jørn Lande.

Thematically, Beyond Our Comprehension explores struggle, faith, spiritual tension, and the mysteries of God’s work in the unseen places of life. The songs feel connected and intentional, carrying a steady emotional arc from start to finish. It is clear that this album was not rushed. Instead, it carries the weight of an artist who took time to reflect, refine, and build something meaningful.

The record begins with “Can You Save Me,” a strong opener driven by fast, precise drumming that immediately injects energy into the album and sets the emotional tone. “Through Fire And Brimstone” follows with excellent guitar work, full of sharp riffs and melodic leads that give the track a fiery edge. “The Great Divide” lifts the album even higher, showcasing Germán’s incredible vocal range as he moves fluidly between dynamics and delivers one of the most expressive performances on the record.

“Breach My Despair” leans into a more introspective feel, a great song that makes one think and carries emotional weight. “Perfect Harmony” stands out immediately, a cool mid-tempo track with memorable melodies that help it rise above the rest. “Masque Of Vengeance” adds a darker, dramatic moment, starting with a slow, haunting build before hitting hard and delivering one of the more atmospheric pieces on the album.

“Send Me Out” shifts the record into fast-paced, uplifting territory, with guitars and keys that work extremely well together to reinforce its message of service and surrender. “Time For Salvation” brings another emotional highlight, built around a strong chorus supported by background vocals that help make it a favorite. The album closes with the Portuguese and Spanish versions of “Perfect Harmony,” both meaningful adaptations that honor Germán’s Brazilian and Latin American roots. These multilingual versions bring the record to a culturally rich and expressive conclusion, showing the global heart behind his music.

Beyond Our Comprehension feels like a true return, not just a follow-up. It shows a vocalist at his peak, supported by musicians who understand how to build around his strengths. The production is clean, the performances are passionate, and the songwriting carries real purpose. And visually, the album steps up even further thanks to artwork designed by none other than Scott Waters of No Life Til Metal. You have seen his amazing work whether you realize it or not, and he brings another striking, cosmic presentation to this release.

This is a triumphant and heartfelt album that stands as one of the strongest Christian metal releases of 2025. Fans of Narnia, Divinefire, Theocracy, and melodic metal in general will connect immediately. Germán Pascual proves once again that his voice is not only powerful but rooted in sincerity, conviction, and a message that matters. This album goes beyond expectation and offers something memorable from beginning to end.

No Treaty – Sound the Trumpet

(Resuscitation Records • Deluxe 12” EP • 45 RPM)

I first saw No Treaty live with Meadows, Cleansing of the Temple, and Confessions of a Traitor. I had never heard of them before that night and was blown away. Their energy was powerful, and their sincerity was even stronger. After the show, I saw the vocalist praying with an elderly couple at the merch table. That moment said everything. I bought the CD but wished for a vinyl copy. The first pressing sold out quickly, so when Resuscitation Records announced a second pressing, I ordered it right away.

This deluxe 12-inch release plays at 45 RPM and sounds full and dynamic. The packaging shows care and purpose, including a four-page lyric booklet that feels like part of the message. The cover reads “Come, Lord Jesus, come,” leaving no doubt about who this band represents.

“Trumpet” opens the EP with the shouted call to “sound the trumpet,” and it feels like a live anthem. The mix of clean and harsh vocals hits perfectly. “Monolith” begins with a guttural “Let Your fire fall down” and delivers one of the strongest lines on the album: “I’m determined to preach nothing more than Jesus Christ crucified.” “Pages” reflects on questioning Scripture and faith in a healthy way, showing the vocalist’s range between intensity and melody. “Forget” centers on forgiveness, anchored by the lyric “You don’t treat me according to my iniquities,” and features some of the best breakdowns on the record. “Deep” closes the EP with strong harmonies and skilled guitar work, building from “set me free” to the cry “Holy Spirit, fill me with peace.”

The EP carries the spirit of early Facedown Records but brings their own fresh twist. Mastering by Ryan Leitru (For Today) gives it a clean yet punchy finish. The band thanks Trevor Tyson, who has made a good name for himself in this scene, and that connection feels fitting.

Sound the Trumpet is straight-up hardcore that blends passion, purpose, and faith with skill. Every part of this release shows thought and care. No Treaty is not just making noise; they are making a stand. I can’t wait for the full album.

Band Links:
https://notreatytcc.bandcamp.com/album/sound-the-trumpet
https://www.facebook.com/notreatyband/
https://open.spotify.com/album/6ILEzhJuHfMgVkLZzvsafA

From the heart of South Jersey’s hardcore scene, Plead the Widow’s Cause delivers Silver Glass Stare, an album that feels both raw and refined. Their debut Pain Split introduced a sound rooted in conviction and emotion, but this new record pushes further with greater focus and weight. Recorded at Nada Recording Studio with producer John Naclerio, the production brings clarity to the chaos, making every scream and strike of the drum kit feel intentional.

The deluxe vinyl edition from Resuscitation Records is a collector’s dream. Pressed on emerald green 180-gram wax and limited to 250 copies, it holds the kind of care and purpose that defines this band. The color choice feels symbolic, reflecting the heart behind the track “Emerald Eyes.” The artwork is simple and meaningful. The back of the lyric booklet shows the band sitting on sand dunes beside a quote from J.R.R. Tolkien that reads, “The journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. White shores, and beyond, a far green country under a swift sunrise.” It is a statement that frames the record perfectly, offering hope beyond the storm.

“Marah” opens with purpose. Ian’s shifts in vocal tone keep the intensity alive, setting the tone for everything that follows. “Jet Black Heart” mixes clean vocals with raw grit. The harmony and gang vocals on “I’m so overwhelmed” are chilling, creating one of the most memorable moments on the record. “Grey” carries a strong punk energy that moves the record forward with pace and attitude. “Clip the Wings” features solid chugging guitars and a personal cry of release with the line “I will forgive you.” The emotion feels authentic, like it came from deep within. “Emerald Eyes” captures loss and grief with sincerity, reflecting on the pain of someone gone too soon. The balance of melody and heaviness gives it emotional weight.

“Sunset” flows with ease and rhythm, ending with a slowdown that makes for a perfect transition when flipping the record. “Life Moves in a Circle” brings some of the album’s best breakdowns. The repeated line “I feel sick. I feel sick. Look at my heart” lands hard, and the guest vocals from G of Unwithered add extra grit. Ian’s voice climbs higher near the end and fits perfectly. “Burn Bright, Burn Out” delivers straightforward hardcore energy and ends with a powerful call to action: “Wake up, it’s not too late.” “Paper Cranes” is a personal favorite. The lyrics tell a vivid story of a man suffering radiation poisoning from corporate negligence, describing “a plague that’s gripping the skin,” “skin is falling off,” and “organs are failing from damage sustained.” It is raw and visual, showing the band’s ability to paint pictures through heavy music. “Trapped Within” grabs attention immediately with its opening scream. The layering of clean and harsh vocals is done masterfully. The lyrics strike straight to the heart: “Let your flesh be crushed to dust. You cannot save yourself… watch sin dissolve in blood.” “Spitting Venom” ends the record with speed and conviction. The line “Don’t you remember who He died for, the sick” captures the mission of the band in one breath. The slower ending allows the message to sink in: “Blood covered dirty works, yet there is fire on your tongue. No compassion for the lost. Forgetting where He saved you from.”

Hearing Silver Glass Stare on vinyl gives the record a new life. The 180-gram pressing adds warmth and depth, letting the guitars and vocals breathe. The emerald green wax looks beautiful under light and feels symbolic of renewal and hope. The 12-page lyric booklet is a standout. It includes color photos of the band performing and full lyrics that pull you into their world. Many modern records skip details like this, but this one gets it right. The quality of the layout and printing shows intention and respect for the listener. It makes you feel connected to the music and the people behind it. The mastering is well done, keeping the low-end punch strong while preserving the clarity of the highs. It’s a release made for those who love the ritual of dropping a needle and feeling each note through the speakers.

Silver Glass Stare captures the heart of spirit-filled hardcore. It is intense, heartfelt, and built on faith that does not waver. The themes of forgiveness, loss, redemption, and surrender all circle back to one truth: everything points to Jesus Christ. This is not a lukewarm record. It stands firm in truth and conviction, offering both strength and honesty. The vinyl edition brings the experience to life with thoughtful design and powerful sound. Limited to 250 copies, it is worth grabbing quickly before it disappears into collectors’ shelves. The journey this album takes you on is heavy yet hopeful, grounded in the message that through pain and chaos, there is still grace and light.

Official Links:
https://pleadthewidowscause.bandcamp.com
https://www.instagram.com/pleadthewidowscause
https://open.spotify.com/artist/3TeoEMz8LEzB5t0hUcZYm8

Clear Convictions – Endure (Remixed)

Clear Convictions has always represented more than just another name in Christian hardcore. Emerging from Puerto Rico in the early 2000s, the band fused spiritual grit with underground authenticity, earning their place beside acts like xDisciplex A.D. and Figure Four. Over the years, their albums A Past That Attempts to Define Me and The Mystery of Iniquity became benchmarks of unfiltered conviction. After reuniting with a renewed sense of purpose, the band released Endure in 2024 as an unsigned project that carried a message of perseverance and faith. Now, through Resuscitation Records, mixer Ryan Leitru has given the album new life, and Endure (Remixed) stands as both a refinement and a reaffirmation of everything Clear Convictions has always stood for.

The improvement in sound is immediate. Ryan put a lot of effort into this mix, and it shows. Guitars cut through with precision, the drums hit hard and tight, and the vocals carry more weight without losing their raw intensity. The mastering by Rob Colwell gives the entire project depth and cohesion, bringing a clarity that reveals details once buried. It is another example of his magic touch, enhancing what was already a strong record. The limited vinyl pressing looks stunning on clear wax. It plays at 45 RPM, which means recalibrating the setup, a small but noticeable step for listeners. Once spinning, the result is worth it. The artwork, showing a tattooed man holding a cross, is simple yet reflective, inviting thought before a single note is played. The lyric booklet is large, filled with photos, and though printed in black and white, it shows care and intention. At a time when many new releases skip these details, this edition reminds fans how much presentation still matters. Limited to only 250 copies, this one is worth finding before it disappears.

From the opening track “Rise Above,” the album’s purpose is clear. The call to rise becomes a statement of faith and resilience, setting the tone for what follows. “No Man Is a Lost Cause” hits hard with lyrics that deliver the Gospel message without compromise, reminding listeners that grace is available to anyone willing to receive it. “Hope” keeps the pace driving with straight-ahead hardcore energy, while “Moving On” pushes forgiveness to the forefront, encouraging release and spiritual growth. “I Am” stands out for its crisp guitar work, and “Breaking Curses” drives home one of the strongest lyrical declarations on the record: “my past sins are not allowed to interfere on me or my future generations.” It is a powerful moment that will move the crowd in any live setting. The title track, “Endure,” feels like the heartbeat of the record. The refrain “endure, get up and finish your race” perfectly captures the mindset the band has lived out for years. “Taking It to the Streets” closes the first half with a slower instrumental that acts as a thoughtful bridge rather than a cooldown.

The second side keeps the fire burning. “It’s Settled” uses layered background vocals to build atmosphere without losing intensity, while “Down in the Potter’s Shop” mixes cleaner vocals with heavy riffs, adding an emotional dimension that balances power with reflection. “Soy Libre,” sung in Spanish, proudly connects to the band’s Puerto Rican roots and delivers one of the most forceful performances on the album. “Welcome to the Last Days” blends slower chugging riffs with the band’s trademark urgency, while “The Great Divide” finishes strong, declaring “he’s gathering a remnant of unshakable integrity.” The lyric speaks to the album’s entire theme: endurance through faith, unity, and conviction.

Inside the record’s thank-you section, the band writes, “We would like to thank God for His great salvation, His infinite grace over us, and for blessing us with the gift of music, a beautiful way to express our constant desire to please Him.” That one statement, paired with the album’s lyrical content, leaves no question about where this band stands. Clear Convictions continue to hold firm to the truth that shaped them, showing no hint of compromise.

Endure (Remixed) is a hardcore album in every sense, straightforward and unrelenting, yet filled with purpose and hope. There are no new songs here, but the improved production and attention to detail make it a completely new experience. It is proof that conviction still matters, and Clear Convictions continues to live up to their name.

For more on the band:
https://resuscitation.store/pages/clear-convictions
https://clearconvictions.bigcartel.com/
https://www.instagram.com/clearconvictionshc/
https://open.spotify.com/artist/09ng8r10xRtQCgrmgf40np
https://www.facebook.com/ClearConvictionsBand/
https://x.com/CConvictionshcx 

Rising from the legacy of Brazil’s thrash powerhouse Mad Dragzter, No More Death emerges with a fierce new identity and mission. With their debut album The Death Is Dead, the band blends classic thrash aggression with lyrics rooted in Scripture, hope, and eternal victory. Anchored in Revelation 21:4, “there will be no more death,” the project delivers a bold declaration of faith to both Christian and secular audiences alike.

We had the chance to talk with the band about their rebirth, their powerful new record, and the message of hope at the heart of their thrash attack.

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No More Death rose out of the ashes of Mad Dragzter — can you walk us through the rebirth and what inspired the new name and direction?
Mad Dragzter ended in 2015, shortly after the release of their third and final album, Master of Space and Time. From that moment on, I always knew that my mission in heavy music would still have new chapters. For many years, I stayed away from the music world, just saving riffs and ideas. In 2019, the Lord showed me the name of the band, taken from Revelation 21:4, one of the most beautiful and comforting passages in the Bible. In 2024, the opportunity arose to enter the studio and record No More Death’s first album, The Death is Dead, bringing all the fury of thrash that runs through my veins together with lyrics that tell of the Lord’s victory over death, His ascension, triumph, and glory.

The name No More Death has deep spiritual weight. What does it personally mean to you as a band?
The Bible says that the last enemy to be defeated is death, which will happen definitively in the resurrection with glorified bodies, at the return of the Lord. So basically this message is the greatest hope a Christian can have, and the Lord spoke of it many, many times. And this message warms our hearts.

The title The Death Is Dead is striking — how did that concept come about, and what message are you trying to deliver through it?
I wanted to address something important to everyone, something that everyone will suffer and go through. Like death! It puts everyone on the same level, Christians and non-Christians alike. I wanted to talk about the result of the Lord’s coming, especially to those who don’t know Him. And this message has opened many doors to talk about the Lord in secular circles. In many interviews, or even with bangers who end up getting to know the band, many people had never read the passage that is in our logo, nor do they know what it is about. They don’t know that there is a promise of eternal life! In total fullness and forever! And since I had a career in the secular world for almost 25 years, I wanted to talk to these people, who are thirsty for truth and hope!

Can you give us a track-by-track feel of how the album progresses thematically or musically?
Of course! It would be my pleasure! The album has eight tracks that are completely interconnected, as if they were eight acts of an opera. It starts at full speed with The Death is Dead, which tells how the Lord conquered death. Next, Thy Glory shows the Lord’s ascension and glory, a track that begins with a tense atmosphere and accelerates throughout. Then we have Great White Throne, which narrates the judgment of the saved and the unsaved, a slower and more striking track. Next is Forever Young, narrated by an elderly person who dies and is resurrected young and with a glorified body. It features galloping riffs and melodic choruses. This is followed by Sons of Light, a manifesto of the armies of light, Men and Angels. Old school thrash in the vein once again. After that we have Annihilated, which declares the end of the enemy of our souls, another fast thrash song. The penultimate track is Dreams about Eternity, more groovy and rhythmic, with a grandiose chorus that tells of our aspirations for eternal life. And closing the album is the blockbuster Love is Immortal, declaring that the Lord is Love and in the end Love will prevail. Phew… ahahahaha… and then just put the record back on to play again.

What was the writing and recording process like? Were there any particular challenges or breakthroughs along the way?
It was easy! Just like I did with Mad Dragzter! I always wrote all the riffs, melodies, lyrics, etc. What changed this time is that for the first time I also recorded the bass, in addition to the guitars and vocals. I was very happy with the result. An album that sounds raw like the thrash classics but at the same time modern with a current and competitive production in relation to the best that has been done today.

Christian thrash and extreme metal can be a tough road. How do you balance being bold with your faith while still appealing to the wider metal audience?
Honestly, I trust in the Lord. I write about what is in my heart, about what I believe, live, and have lived. And first and foremost, I want to please the Lord. With the best riffs, the best songs, and the best lyrics I can compose and record. Acceptance by the crowd will follow. Where No More Death will go, whose hearts it will touch, is entirely in the Lord’s hands. And I rest completely in that.

Have you received feedback from listeners who were impacted spiritually by the album?
Yes! Christians and non-Christians alike. Christians who were able to look again at the promise of eternal life as the most important thing, in relation to everyday and passing matters. And non-Christians who literally discover a new world. A portal opens, which is the Word of the Lord. How powerful it is, right? It warms my heart.

Are there plans for touring, festivals, or collaborations in 2025 and beyond?
We have received many invitations for shows in Brazil, the US, and other parts of the world. So, at the right time, a tour will happen. But right now we are more engaged in planning the next album, which should be released in 2026. But soon, God willing, we will start recording. It is already practically composed. And I tell you, it will be amazing.

If you could share the stage with any other band today, who would it be?
If I had that opportunity, it would definitely be with my all-time favorite band, Metallica.

What music outside of thrash inspires you right now?
Quite a lot! From traditional heavy metal classics to hard rock and rock, punk, crossover, electronic pop from the 80s and 90s, classical music like Bach, soundtracks from movies like Tron Legacy, Inception, Interstellar. Even some good reggae in the vocals and other interesting stuff. Great music.

What’s something about the band members that fans might be surprised to learn?
Well, we are Brazilians! Ahahahahahah…. and for a Brazilian band, apart from Sepultura, to achieve worldwide recognition would be a huge miracle! Ahahahahahah

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Connect with No More Death

Bandcamp – https://nomoredeath77.bandcamp.com/album/the-death-is-dead
YouTube – https://www.youtube.com/@NoMoreDeath77
Instagram – https://www.instagram.com/nomoredeath77/
Metal Archives – https://www.metal-archives.com/bands/No_More_Death/3540565384

Heaven’s Metal Magazine Feature – https://heavensmetalmagazine.com/index.php/2025/07/17/no-more-death-the-death-is-dea

Brothers who shaped Christian rock, pop, and worship music

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Early Roots

Raised in Kansas City, Missouri, Lester and Brandon Estelle grew up surrounded by church music. Both were drumming before they were teenagers, and both would go on to anchor two of the biggest Christian acts of the 2000s.

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Lester Estelle II

From Pillar to Kelly Clarkson

Lester joined Pillar in 2002, bringing power and precision to Where Do We Go From Here, The Reckoning, and For the Love of the Game. He later co-founded Stars Go Dim, and in 2013 landed the role of touring drummer for Kelly Clarkson, now serving as part of her house band “My Band Y’all” on The Kelly Clarkson Show.

Sessions and Collaborations

Lester has worked with a wide variety of artists including Big and Rich, Disciple, Starset, Kutless, Love and Death, Seventh Day Slumber, Neal McCoy, Donnie McClurkin, Kim Burrell, Agnieszka Chylińska, Julian Vaughn, Group 1 Crew, Kensington Moore, and Casey Donahew.

Notable recordings include
• “Dear X, You Don’t Own Me” by Disciple
• “Did It for the Party” by Big and Rich
• “Nostalgic” with Kelly Clarkson
• “Twelve” with Neal McCoy
• Featured songs with Donnie McClurkin and Kim Burrell
• A collaboration with Agnieszka Chylińska
• Studio work with Casey Donahew

Today Lester continues balancing Nashville sessions, Clarkson’s TV tapings, and international touring.

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Brandon Estelle

From Superchick to Solo

Brandon made his mark with Superchick, joining during the Beauty from Pain era and continuing through the Grammy-nominated Rock What You Got. After the band wrapped, he launched into solo artistry, worship leadership, and collaborative songwriting. His solo album Star (2015) and ongoing singles showcase his multi-instrumental talent.

Recent Singles and Collaborations

Brandon’s catalog features “Children of the Living God,” “Truth Works,” “Testify,” “All The Time,” and “My Soul Delights In You” featuring Tricia Brock. He has also collaborated with TobyMac on RIAA Gold-certified work. Through platforms such as AirGigs, Brandon records for film, television, and indie artists, while remaining active in Kansas City worship networks including The Sending Project.

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Shared Threads

Both brothers began in church and rose to national prominence through Christian rock before taking unique directions. Lester thrives in high-profile session and television work, while Brandon focuses on songwriting, worship, and remote collaborations. Together they continue to build legacies that inspire across multiple genres.

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Connect with the Estelles

Lester Estelle II

Website: https://www.lesterdrums.com
Instagram: https://www.instagram.com/lesterestelle/
YouTube: https://www.youtube.com/user/MrTugadrums

Brandon Estelle

AirGigs Profile: https://www.airgigs.com/user/brandonestelle
Instagram: https://www.instagram.com/brandoestelle/
Spotify: https://open.spotify.com/artist/1mpH60Cx85fuINNepxxeVq

The Christian Metal Group is back with their second massive compilation, Volume II, delivering 18 blistering tracks from across the spectrum of Christ-centered heavy music. The title “ΘΣ ΚΣ ΙΣ ΧΣ” translates to “The King is Christ” — a fitting banner for a project that is unapologetically loud about its message.

From the first crushing riff to the final triumphant chord, Volume II is a journey through every corner of the Christian metal landscape — death, black, thrash, doom, metalcore, progressive, punk, and straight-up heavy metal all have their place here.

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1. Latter-Day Exploits (Experimental Metal) – Within Consumed – Epic, multi-layered, and intense. A prog-metal opener that demands attention.
2. Glae (Deathcore / Experimental Deathcore) – Horde – A feral, death-tinged assault with melodic undercurrents.
3. Shamash (Melodic Death Metal / Metalcore) – Take Me As I Am – Groove-driven with heartfelt lyrical surrender.
4. King’s Hammer (Brutal Death Metal / Old-School Death Metal) – Vehement Zeal – Pure steel-forged energy with classic influences.
5. Exoneration (Deathcore / Djent / Metalcore) feat. Candlebearer – Basilisk – Relentless riffage with guest vocals adding venom.
6. Afflicted Truth (Death Metal / Grindcore) – Eternal Life – Fierce proclamation of gospel truth over pounding metal.
7. Mission of One (Christian Rock / Heavy Metal) – Watch Your Mouth – Punky, punchy, and packed with conviction.
8. Metal For Emmanuel (Heavy Metal / Worship Metal) – Great I Am – Worship lyrics on a backdrop of galloping riffs.
9. Cloud of Witnesses (Metalcore) – Digital Dominion – Industrial grit meets spiritual warfare.
10. The Light Superior (Metalcore) – Dark Moon – Darkly atmospheric, yet melodic and memorable.
11. Receiving Immortality (Djent / Metalcore / Death Metal) – Into The Center – Crushing metalcore breakdowns with hope-filled hooks.
12. From This Fire (Hard Rock) – Days Go By – Melodic, anthemic, and emotionally resonant.
13. Pulpit Vomit (Grindcore / Deathgrind) – The Filth – Grindcore grit that doesn’t hold back.
14. Satan Destroyer (Black Metal / Unblack) – Witches Drowned in a River of Stone – Doom-drenched heaviness with vivid imagery.
15. Connor Payne (Christian Rock / Metal) – All Hail The LORD – Straightforward and bold in both message and delivery.
16. Sanctified Ethos (Raw / Atmospheric Black Metal) – The True Art of Isolation – Blackened intensity with an undercurrent of redemption.
17. Diadem of Gnashing Teeth (Brutal / Technical Death Metal) – It Turns Into Flesh In My Mouth – Atmospheric darkness meets crushing weight.
18. Epic Bard (Power Metal / Metalcore) – Stand – Uplifting power metal anthem to close the set with hope.

YouTube: https://www.youtube.com/watch?v=_hoE4XCyfN0
Bandcamp: https://christianmetalgroupcompilation.bandcamp.com/album/volume-ii