Philadelphia chaotic hardcore band Pipe Bomb just dropped one of the coolest underground vinyl releases I have seen in a while with Hell Hole through Resuscitation Records. This is the debut full length LP from the band and the physical presentation alone makes this feel like much more than just another vinyl pressing.
Limited to only 150 “Chaotic Cobalt” copies, the 180 gram vinyl instantly stands out visually with its opaque blue finish matching the dark atmosphere of the album perfectly. The artwork by Jonathan Zboray grabs your attention immediately and feels chaotic, uncomfortable, and thought provoking in all the right ways.
The album was mixed and mastered by John Naclerio of Nada Recording while Rob Colwell handled the vinyl mastering. The result is a record that sounds huge, raw, and alive spinning on wax. The bass feels warmer, the feedback breathes naturally, and the chaos feels more immersive than streaming the album digitally.
Musically, fans of The Chariot, Norma Jean, Project 86, Botch, and Every Time I Die will immediately connect with the band’s blend of metallic hardcore, chaotic mathcore, punk energy, and emotionally heavy lyrics.
What really separates this release though is the packaging. The deluxe 12 page lyric booklet is loaded with high quality photos, lyrics, and personal comments from Mitchell Layton explaining the meaning behind many of the songs. Those reflections add an entirely new layer to the listening experience.
“Under God’s Heel” hits especially hard once reading Mitchell’s comments about struggling with hopelessness and learning to fight through it. “Choke” tackles compromise and distorted truth while “Hell Hole,” featuring former No Treaty vocalist Danny Thomas, explores mental illness, destruction, and broken relationships with brutal honesty.
Mitchell handles all vocals, guitar, and bass duties on the album while Steven “Bean” Layton absolutely crushes it on drums. The chemistry between the two creates an intense wall of panic driven aggression and emotional tension from start to finish.
Executive production for the vinyl release was handled by Erick Lee, founder of Resuscitation Records, along with Jonathan Calderon from Empty Grave Parade. Their attention to detail is obvious throughout the entire release.
This is the kind of vinyl release collectors and hardcore fans appreciate because it feels personal and intentional instead of mass produced. Hell Hole is chaotic, emotional, spiritually honest, and physically packaged in a way that actually enhances the music itself.
Pipe Bomb, the solo project of Mitchell Layton, delivers raw, Christ-centered chaotic metalcore that hits hard and refuses to let up. Drawing influence from early 2000s chaos bands like The Chariot and Norma Jean while pushing into modern aggression, Hell Hole is both nostalgic and fresh.
Tracks like “Under God’s Heel” and “Straight Edge Hate” are short, direct, and confrontational, while “Choke” showcases sharp, thought-provoking lyricism. The title track paints vivid imagery, and “I Will Kill the Worst Parts of Myself” builds intensity with a slower, crushing approach that feels straight out of the late 90s scene.
This is not polished or radio-friendly. It is gritty, honest, and rooted in real struggle. Lyrically, the album tackles mental health, faith, and personal accountability with conviction.
If you are into Zao, Project 86, or The Chariot, this will hit home.
Hell Hole is intense, chaotic, and full of purpose.
A Look Back at the Genre-Spanning Tours That Defined an Era
Introduction
The period from 1995 to 2005 was a transformative era for Christian rock and metal music. It was during this time that I became deeply immersed in the scene. My first concert was Ray Boltz, followed by Carman, which opened the door to bands like Audio Adrenaline, The O.C. Supertones, DC Talk, and many more. I discovered bands such as Living Sacrifice, P.O.D., Project 86, Gospel Gangstaz, and MxPx on VHS tapes (who remembers those?) at my youth group.
One of my all-time favorite memories is the 2001 “Your New Empire Tour” featuring Project 86, Stavesacre, and Living Sacrifice. Three of my favorite bands were in the same place, and the crowd was so into it and energetic.
Fueled by groundbreaking record labels such as Tooth & Nail Records and its heavier imprint Solid State Records, alongside stalwarts like Facedown, Fireproof, Intense, R.E.X., Metro One, Takehold, Strike First, Rescue, Ulterium, Blood and Ink, Bombworks, Soundmass, Endtime Productions, and Nordic Mission, this period witnessed an explosion of diverse subgenres: from thrash and doom to metalcore, hardcore, power metal, and alternative rock.
Chronological Tour Timeline with Record Labels and Supporting Acts (1995–2005)
1995
Cranial Captivity Tour Living Sacrifice (Solid State Records) / Lament (Independent) / Sacred Warrior (Intense Records) Supporting Acts: Deliverance, Vengeance Rising, Tourniquet, Believer, Holy Soldier, Crimson Thorn
1996
Regional Tour Focal Point (Independent) / Zao (Solid State Records) / Pensive (Independent) / Seasons in the Field (Independent)
The Black Sheep Tour Saviour Machine (Independent) / Sixpence None the Richer (R.E.X. Records) / The Prayer Chain (Independent) / Mortal (Intense Records) / Michael Knott (Independent)
1997
Tour with Malevolent Creation Living Sacrifice (Solid State Records)
Joint Tour Sacred Warrior (Intense Records) / Bride (Independent)
DIY Tour Zao (Solid State Records) / Underoath (Solid State Records) / Unearth (Independent) / Dead Poetic (Independent)
1998
Underdog Tour Audio Adrenaline (ForeFront Records)
Independent Tour P.O.D. (Rescue Records)
Regional Tour Living Sacrifice (Solid State Records) / Soul Embraced (Independent)
West Coast Tour Sacred Warrior (Intense Records) / Holy Soldier (Intense Records)
1999
Satellite Pre-Tour P.O.D. (Atlantic Records) / Korn (Mainstream) / Linkin Park (Mainstream) / Disturbed (Mainstream)
Joint Tour Zao (Solid State Records) / Shai Hulud (Mainstream) / Evergreen Terrace (Mainstream)
National Tour Crimson Thorn (Independent)
Solid State Mini-Tour Norma Jean (Solid State Records) / Living Sacrifice (Solid State Records)
Church Circuit Tour Spoken (Metro 1 Records)
2000
The Hammering Process Tour Living Sacrifice (Solid State Records)
Drawing Black Lines Tour Project 86 (Tooth & Nail Records)
Joint Tour Zao (Solid State Records) / Training for Utopia (Tooth & Nail Records)
Co-Headline Tour The Blamed (Tooth & Nail Records) / Left Out (Independent)
40 Days of Disaster Tour Underoath (Takehold Records) / Few Left Standing (Takehold Records) / Narcissus (Takehold Records) / Tantrum of the Muse (Takehold Records)
2001
Your New Empire Tour Project 86 (Tooth & Nail Records) / Stavesacre (Tooth & Nail Records) / Living Sacrifice (Solid State Records)
Co-Headline Tour Project 86 (Tooth & Nail Records) / Blindside (Tooth & Nail Records)
Bless the Martyr Tour Norma Jean (Solid State Records)
Again, For the First Time Tour Bleach (ForeFront Records)
Joint Tour Underoath (Solid State Records) / Tantrum of the Muse (Independent)
Hardcore Tour No Innocent Victim (Facedown Records) / xDISCIPLEx A.D. (Facedown Records)
2002
Conceived in Fire Tour Living Sacrifice (Solid State Records) / Extol (Solid State Records) / Becoming the Archetype (Solid State Records) Supporting Acts: Hatebreed, Throwdown
Warped Tour Dates Underoath (Solid State Records)
Split Tour Few Left Standing (Facedown Records) / xDISCIPLEx A.D. (Facedown Records)
Tour Circuit Rock & Roll Worship Circus (Vertical Records / INO Records)
2003
Early National Tour Demon Hunter (Solid State Records) Supporting: As I Lay Dying (Solid State Records)
Collide Tour Skillet (ForeFront Records)
Reunion Tour Mortal (Metro One Records) / Fold Zandura (Metro One Records)
Early Tours Anberlin (Tooth & Nail Records)
International Tour Extol (Solid State Records) / Antestor (Endtime Productions) / Mortification (Soundmass Records)
European Tour Seventh Avenue (Ulterium Records) / Narnia (Ulterium Records)
National Tour Disciple (Slain Records / INO Records)
2004
Extended Tour Living Sacrifice (Solid State Records) Supporting: Throwdown, Extol, The Showdown
Early Tour As I Lay Dying (Solid State Records)
They’re Only Chasing Safety Tour Underoath (Solid State Records) Supporting: Saosin
The Beautiful Letdown Tour Switchfoot (Sparrow Records)
Co-Headline Tour Project 86 (Tooth & Nail Records) / Disciple (Epic Records)
Brutality Mini-Tours Clear Convictions (Strike First Records) / War of Ages (Strike First Records)
Joint Tour Soul Embraced (Blood and Ink Records) / Bloodlined Calligraphy (Blood and Ink Records) / Nodes of Ranvier (Facedown Records)
Tour with Dead Poetic and Haste the Day Dead Poetic (Tooth & Nail Records) / Haste the Day (Solid State Records)
Tour with The Agony Scene Extol (Solid State Records) / The Agony Scene (Solid State Records)
2005
The Triptych Tour Demon Hunter (Solid State Records)
Scream the Prayer Tour Various Acts (Solid State Records / Facedown Records / Blood and Ink Records)
Early Tour The Devil Wears Prada (Solid State Records)
First National Tour Flyleaf (Octone Records)
Co-Headline Tour The Showdown (Solid State Records) / Demon Hunter (Solid State Records) / Living Sacrifice (Solid State Records)
Phenomenon Tour Thousand Foot Krutch (Tooth & Nail Records)
U.S. Tour Crimson Moonlight (Endtime Productions)
Waves Are Dancing Tour Holy Blood (Bombworks Records)
European Tour Dates Morgarten (Nordic Mission Records)
Anniversary Tour Bloodgood (Intense Records) / Whitecross (Intense Records)
Joint Tour Extol (Solid State Records) / Becoming the Archetype (Solid State Records) / Crimson Moonlight (Endtime Productions)
The Forsaken Tour Antestor (Endtime Productions)
First Tour Children 18:3 (Tooth & Nail Records)
Conclusion
This unforgettable decade left a permanent mark on Christian music history, spanning underground DIY shows to national record deals. During this time, I had the privilege of running the SC Rock for Life chapter, booking bands like Rock and Roll Worship Circus, Spoken, Disciple, Pillar, The Benjamin Gate, East West, Joy Electric, Luti-Kriss, Mars ILL, LA Symphony, and Eleventyseven. I also attended countless concerts and festivals, where I represented Rock for Life and deepened my love for the scene.
After booking shows, I started collecting physical media. I was thrilled to see so many cassette and CD albums finally released on vinyl. I am getting every one of them that I can. My passion continues through involvement with Christian Metal Group, Heaven’s Metal Magazine, and organizing networking events in entertainment.
What tours did I miss?
Let’s continue preserving the memory of this powerful season of Christian music together.
I can still hear the Echoes of the Spirit Still Dwell.
